The Job Search: Your Cover Letter

Cover letters, I think, are wildly misunderstood. Like the resume, people tend to pack simply too much in, and too much of the wrong information.

A cover letter should be your elevator pitch.

It should efficiently communicate why you and you alone are the best fit for the job, and should elaborate on any critical, relevant skills you have that your resume doesn’t touch on or adequately explain. It’s great to talk about your passion a little, but passion itself should not be the sole content of your cover letter.

My favorite cover letter article is here: The 4 Paragraphs That Make a Killer Cover Letter

I like the structure it provides, because it gets you out of the “I’m-so-dedicated-and-passionate-about-this-entry-level-receptionist-position” zone (which we know is BS…even the hiring manager, for a lot of these, knows it’s BS) and into the real meat of the letter.

Whether or not you follow their outline, the important information is pretty simple:

1. Include who you are and which position you’re applying for.

This can be as simple as: My name is Lauren Scanlan, and I’m applying for the position of Entry-Level Data Analyst (job #10020). Including the exact job title and applicable job number, if one exists, will help the hiring manager easily find your resume in the miasma that is a corporate hiring database.

2. Include a quick reference to the company

This should be short — say why this particular company appeals to you (and though it may be true, “good benefits” is not an appropriate answer here). Have you followed them in the news? Studied their business model? Used their product? Mention your personal connection, and how you think you might be a good fit for the company. It doesn’t matter to them (yet) that the company is a good fit for you, so be sure you’re highlighting how you can help them here.

3. Why are you the one for this position?

This section should be the bulk of your letter, though it should be one paragraph at most. Don’t beat around the bush — tell the hiring manager loud and clear why you should be brought in for an interview. Do you have proficiency in Adobe Creative Cloud? Are you an expert in Ruby on Rails? Does your experience as a retail associate in a pet store give you an intimate knowledge of what pet owners are looking for in a dog toy or cat food? Whatever it is, be concrete, and don’t just repeat what’s in your resume: expand and include any information that’s pertinent but not well reflected in your resume. You can expand further in the interview, so keep it short, sweet, and to the very concrete point.

4. Include how you wish to be contacted.

Close with mentioning that you’d love to talk about how you’d be a great fit, and include your correct contact information and ways/times in which you prefer to be contacted.

5. Proofread

Proof your work! Make sure your grammar is good and you don’t have obvious typos. Have a friend read for you, if grammar and spelling aren’t your strengths. This is, again, a document that you get unlimited amount of time to write (in their perspective) and that represents you, so make sure you’re putting your best foot forward.

No matter how you structure it, please remember to tailor your cover letter to each job you apply for. I know this is a ton of effort, but hiring managers can pretty easily tell who has put in the individual effort and who hasn’t. And remember to keep these updated right along with your resume!

The Job Search: Your Resume

Resumes are the worst.

Okay, we’ve gotten that out of the way. Great.

Resumes are necessary, a way for a potential employer to see what you’ve done and make sure you’re employable. Right?

Close, but not exactly.

Resumes are for an employer to quickly see if you have the skills for the job they’re hiring for.

Many employers (and of course, it differs by industry and area of the country/world) won’t care about where you went to school and that you worked for a major tech company, but they will care that you got a degree in computer science and are fluent in multiple coding languages. Employers are inundated with applications from total strangers, and so your cover letter (which we’ll get to!) and resume are the five minutes of their attention span you have to make your case as the right fit for the job.

So what does that mean for your resume?

1. Have multiple versions

Reformatting your resume to match the job or industry is crucial. Someone hiring for a copywriter and someone hiring for a book editor will be looking for different (if similar!) things in their potential employee, so highlighting different skills in your past work will be important.

It’s considered passé by some to name your resume files based on the job or industry you’re applying to (for example, Scanlan_copyediting_resume.pdf or Scanlan_PRH_resume.pdf), so instead, organize your reformatted resumes in separate files on your computer, and name them all along the lines of Scanlan_resume_2018.pdf.

2. Keep it on one page

There are three people under 35 I have known who have needed multi-page resumes, and the jobs they were applying to were technical and/or sensitive (think security clearances) in ways that required it. If you are applying to a job that will require a two-page resume, you’ll know.

For the rest of us, one page is plenty. Again, sometimes a hiring manager is only giving a quick glance to each resume before they decide who they interview, and they may have a huge stack of resumes and a short amount of time. In this case, a multi-page resume shows the manager that you don’t know how to highlight and prioritize your own experience, and so may not be good at figuring out and prioritizing what’s important in the role they’re hiring for. One page is perfect.

And this doesn’t mean messing with font size!

3. Only include the important jobs

In the beginning, this won’t be an issue—instead, you might be facing the opposite issue, of not having enough content. If that’s the case, include whatever you have, including coursework, volunteer experiences, and even projects you’ve worked on yourself (have you blogged? That can count! Just make whatever you include on your resume is something you’re okay with a potential employer looking into.)

As you continue in your career, not all of your jobs will fit on that one page. That’s fine! Your future employer is not necessarily going to care about the summer job you had at the golf course or Bed, Bath, and Beyond…unless you’re going into course management or looking for a job in retail. Include only the jobs relevant to the position, which can include jobs you’ve held in the same industry, or in which you’ve had a similar role. You can explain what you were doing in the other times in your interview, if asked.

If you’re switching industries or careers, you can get creative. Retail can, after all, teach you a lot about customer service and expectation management, which could translate into being a good counselor. Writing letters for Amnesty International could have taught you how to edit. Find the skills that are transferrable, and include the jobs at which you learned those skills.

4. Highlight your relevant skills

If you’re including a job, it’s because it’s relevant, so tell them why. Your tech internship taught you how to code. Your campus job cold-calling alumni taught you how to talk with people who are uninterested in giving you money—perfect for that sales job. There’s no point in listing everything every single job taught you—most employers will assume you’re competent enough at the soft skills every listing asks for: Timely, self-motivated, team player. Each bullet point needs to show your employer that you have the hard or specific skills needed to succeed in the role they’re hiring to fill.

5. Format it well

Resume templates can be found for free with a quick Google search. Unless you’re a designer or artist who will benefit by making their own, use a free template. There are plenty, so pick one that matches the feel of the industry and who you are as a person. If you’re going into something super formal (like banking, for example), you’ll want something very structured and traditional. If you’re going for something a little more creative, you might want to choose one with a pop of color (if you’re willing to pay for color printing, that is!) or a unique design. But whichever you do, make sure it is formatted with intention, and looks good.

6. Proofread

I have actually declined a potential candidate for an interview for a proofreading/detail-oriented position because her resume was so riddled with typos and formatting errors. Your resume represents you at your best—it’s a document for which you have all the time in the world to create, so any errors are a reflection on you. If you’re not good at proofreading, ask a friend—it’s better to get edits from a trusted source than to lose a potential job from an employer.

7. Extras?

Oh, boy. There are so many other things people are doing with resumes these days, I can’t keep track. For a while, a “mission statement” or a summary at the top of your resume was popular, then it dropped off. References were once standard at the bottom, now they’ve gone by the wayside (and so has “References available upon request.”).

For these things, I’d do a quick Google search for resume trends over the last year, and follow those. Or ignore them, if that seems like too much work. Realistically, none of these extras are going to make or break your resume, unless they make it harder to read or understand. If a summary takes up room you could use to list a critical skill or role, skip it. If you are starting out and want to show potential employers where your interests are, go ahead and include it. As long as your resume has the critical information we’ve already covered, whichever extras you do or do not include don’t really matter.

Finally, and most critically…

8. Always save your resumes as PDFs!

This makes everyone’s lives easier. Yours, because the formatting will stay the same no matter how the receiving person opens it (just make sure there aren’t any errors when your PDF gets created!), and your potential employer’s, because PDFs are easier to forward/print/shred after.

Above all, your resume reflects you, so make sure you’re happy with the final product before sending it off. And it’s good practice to update it every 3-6 months—maybe make a habit of updating it when you update LinkedIn. That way, if a new role comes along that you’re perfect for, you won’t have to waste precious time scrambling to remember all your jobs and skills!

The Job Search: Your Portfolio

Okay, creatives — this time, I’m looking at you. And I’m not just talking about visual artists, videographers, musicians…no. Anyone who has a body of work that they’ve done creatively, from white papers, lectures, online courses, or infographics, should have a place where their work is featured online.

I’m talking, of course, about the portfolio.

There are plenty of ways to format your portfolio, but the baseline is this:

Feature your best creative work in one, easy-to-use, easy-to search hub.

The idea is to make it easy for potential employers to find your work and hire you based on what you have featured. It should go to a permanent link that you can include on your resume, digital job applications, Twitter and LinkedIn profiles, and in the signature of your emails. The fewer clicks someone has to go through to find it, the better.

Profile the work that exemplifies the work you want to be doing.

If you want to be doing sequential work, feature sequential pages you’ve done in the past, in order of how much you like them. If you’re a musician, do the same with your demos. You can always rank your work depending on what you think others will like, but committing to your preference early will help you to get the work you enjoy and work you’re proud of, not just work-for-hire in a style that isn’t yours. By being intentional about the work you want to be doing, you can more easily find the clients who will be interested in that work, too.

At a bare minimum, your portfolio needs to include the following:

  • Your contact information (and how you prefer to be contacted)
    • Even better: Also include a timeframe in which you will respond to inquiries. This can save you a ton of headaches and emails, and gives you some breathing space when responding to potential jobs.
  • Your brand
    • Use the same avatar/icon you use on other social media, and choose a color scheme that looks good and represents you! This will reassure clients and potential employers that it is, in fact, your site, and they’ve found the portfolio they’re looking for.
  • Your work
    • Duh, right? Make sure it’s:
      • Easy to access
        • This is the most important part of your portfolio, so don’t hide it away! Make sure it’s easy to find and loads quickly.
      • Easy to scroll through
        • You don’t want to make someone click in and out of separate images. Make sure everything follows logically, and is formatted so someone can quickly go from one piece to the next.
      • Working as intended
        • No broken links!! Nothing will send a client away quicker than a site that doesn’t work.
        • Make sure your site isn’t internet-dependent, if you plan on walking around conventions or conferences and need to show it off!
  • Appearances
    • At conventions, conferences, etc — if you’re interested in networking, let people know where you’re going to be!
    • Past appearances: Do you have a talk that’s been recorded? Try and see if you can include a link to it.

Other things, like rates, can be included, though you can always opt to hide those or make them negotiable if you would rather not have a flat rate.

And, the biggest tip: Include only your best work. Employers and clients usually have limited time to make a decision, and won’t be scrolling through more than a few of your pieces before they decide whether or not they go further. Make a note on your calendar every 3 months to update your portfolio, and commit to keeping it up-to-date. Not only will the newer work hopefully be a better reflection of your current skill, but it also shows you’ve been continuously working, and are invested in your creative work. Just be careful not to include anything that may break a contract.

For visual artists, a mobile- and tablet-friendly solution is key. Though there are many sites and apps that are good ways to show your portfolio, comic artist, Hiveworks editor, and most importantly, my friend Sarah Stern suggests Minimal Folio for iOS ($3). It lets you display swipeable images — great for when you’re on the go and want an easy-to-use, sharp solution.

Your portfolio is going to be possibly your best resource for getting new work, so put the time into it that you put into yourself when interviewing and networking. And don’t be afraid to ask friends/industry peers for advice (if it’s someone you know well, or if someone offers), but keep to your own code, too. Not all advice will necessarily work for you!

Thank you to Sarah Stern for being a resource for me on this post!

The Job Search: Elements of a Good Online Presence, part 2: Social Media

Ah, social media. The modern double-edged sword. On one hand, it can be a great tool to get your name and your work out in the world, and can help establish you as an expert in your field. On the other, it can act as a permanent record, and is a window for employers into your personal life, your views on your work and your career, and your views on others.

Used well, social media can be productively incorporated into a job-hunting and career-building strategy. Below are my tips to create a cohesive social media brand to use professionally. This may not be appropriate for your field, or for how you want to use social media, so take them as guidelines I’ve found to be useful for keeping professional accounts.

Unify your avatar
Avatars and photo icons that represent your accounts are the visual window into who you are, and should be treated accordingly. In order to maximize your professional branding, I would use the same photo (preferably the one I advised you to take for LinkedIn in my last post) for your avatar/image across accounts: LinkedIn, Twitter, etc. This builds visible brand recognition, and those who might gloss over your name will remember your face wherever you post.

That being said, I’m going to take a moment to speak to the creatives, since it’s a bit of a different game for you. Avatars and site images can be a great way to show off your art, but again, I would use the same image across all sites. This can be updated every so often as your art style evolves and changes, but the important point is that it should be a clear example of who you are as a professional and what your style is.

Whatever the photo or image is, should be memorable (in a good way!) — my professional Twitter account has an image of me fighting a dinosaur, which, when I was pursuing a career in game localization, made me stand out in the community. I was known by high-level professionals in my industry as “the dinosaur girl” — undignified, but useful for branding and breaking the ice at professional networking mixers! I put the same image on my business card for GDC, the premiere U.S.-based game development conference for professionals, and it worked to link my professional work to my Twitter account, where, at the time, I was posting often about game localization. Whichever image you choose to use, make sure it is the same, and working for your branding.

Post often
Social media tends to have returns that stack depending on how much you use them. The most successful users on various platforms are those who post often and interact with others. Because of this, it’s best to focus on only a few social media channels, prioritizing the ones you know will work for you. It doesn’t matter how good Instagram is for your field if you hate using it — if you hate using it, you won’t, and there’s no point in worrying about a stagnant account you’ll never go back to. So choose the social media you like to use, and build a brand on that. Most now let you schedule posts, so if you can’t or don’t want to be online all day, you can schedule them in advance.

Become an expert
The best posts are ones that have to do with your field, and retweeting or reposting counts as endorsement from you (as long as it’s allowed on the site and you give due credit!). In fact, the general rule of thumb is to post 80% of the time about other’s work and 20% of your own; otherwise, you can risk sounding like a self-promoter (self-promotion in moderation is critical, but in excess may seem like you’re trying too hard/aren’t interested in making genuine connections).

Many professional conversations are taking place on social media, in Twitter hashtags, on LinkedIn, in blog comment threads, etc. The key point here is to keep your contributions professional: Be polite, inquisitive, and ready to learn. The internet can be a breeding ground for hate and disparagement and it can be tempting to get down and dirty with the worst of them, but using social media professionally should always be treated as a soft interview…because it is. Employers or clients may know you from the reputation for expertise you build on social media, so they may be considering you for potential jobs or partnerships you don’t even know about yet, or that aren’t public. You want to make sure you conduct yourself in a way that you’d be proud for a future employer to see. For me, this means I don’t swear on my professional Twitter — I try to keep it as clean as possible. However, I do retweet articles and discussions promoting women’s rights and gun control, because if someone doesn’t hire me on account of my raging feminism, that’s probably the best for all parties involved. Set out some guidelines for yourself at the start, and try to adhere to them as much as you can.

Know your limits
At some point, social media can start to detract from your professional life, especially after you’re hired and at a job which doesn’t involve being on social media. It can feel like you need to be posting to maintain your street cred, your “influence,” your follower count, etc. This can make you less productive at your job, and may make you look unprofessional, if you’re always on Twitter/Discord/Facebook/whatever when you should be on the clock.

Well, here’s a strong opinion from me: Social media is a constructed space, and as such, your performance within it can be structured as well. Take time off when you need to. Close accounts entirely, if it isn’t working for you. Be conscious of how much time you’re spending each day on social media, and ask yourself if that time could be spent on other, more important aspects of your life. Social media was created with seduction in mind (remember, these apps profit because of their large user base — they’re designed to keep you on them!) so you’ll have to define your own limits on what serves you and what does not.

As I said, social media is a double-edged sword, but if you set out with self-imposed guidelines, you’ll be able to use it (most of the time) to your advantage. And if it doesn’t serve you, don’t use it at all — your time should be spent in ways that benefit you, not just your reputation.

Best Practices: Your LinkedIn Profile

Now that I’ve talked a little bit about LinkedIn, I want to go into what makes a good profile:

Your photo
Have a photo. This is, in my opinion, a non-negotiable. Show people what you look like, unless there are legal reasons why you should not (or if your professional identity is intentionally divorced from your image and/or real name). The practice of getting professional headshots done seems to have fallen by the wayside, but I think they can make your profile stand out, especially as a job seeker — it shows you put effort into yourself, and by association, into your professional reputation. That being said, if you can’t afford a professional headshot, ask a photographer friend, or even ask a friend to take some decent photos of you, even on a phone — photos for which you’ve dressed up, as these will be your first impression to potential employers and those with whom you’ll be networking. I don’t think you necessarily need to wear a suit, unless you’re in an industry in which the suit is the standard dress code, but you will want to look the part for your job, in a way that makes you feel (and by association, look!) comfortable and confident.

Want more tips? A quick Google search yields plenty of articles, but this post by Lydia Abbot about photo tips is a good place to start.

The headline is a feature that may strike some as odd, but can be a useful tool, especially for job searching. Of course, you can just fill it with your current role, but if you’re searching for a job, this is a great area to write a short elevator pitch about who you are, what you do, and (if you aren’t worried about alerting a current employer to your job-searching status) what you’d like to do in your next role. Someone looking for job in character art for online games might write:

3-D Character Artist with four years of experience looking to crush a role in online games.

It’s punchy, fun (which is often appropriate for games), and shows drive, while also including a concrete goal and keywords. These keywords are searchable, so including them here is a great way for potential employers to find you.

Keep your contact info updated
A great tip, and one this article from goes a little more in-depth on. If employers can’t get in touch with you, you’ll miss out on all the opportunities you’ve worked so hard to develop. This is especially important if you’ve moved, changed your email or your number, or have recently left your job.

Fill out your job and education history
This is crucial. Depending on where you are in your career, I don’t think you need to include every job, volunteer experience, award, or skill, but having at least two or three fleshed-out job histories from your most recent and most relevant jobs is huge, along with at least one school (high school, college, or graduate school, whichever shows your most current level of education). If you’re newer in your career history, it’s okay to use some padding — do complete those Classes or Volunteering sections.

There’s some discussion on how these areas should look, whether they should be in first or third person, and whether they should be paragraphs or bullet points. I’m not sure I have a particular preference, although I think bullet points (or a combination!) can be easier on the eye for someone who is reading profile upon profile, and first person is more engaging than third. Just make sure each bullet point is fleshed out, and your tone doesn’t get too conversational — though online, this is still a professional setting.

Here are two examples — both in first person:


As a receptionist at Stark Industries, I was responsible for many crucial tasks, such as keeping track of appointments, coordinating security checks for high-risk visitors, and finding ways to keep The Hulk busy until Dr. Banner was able to collect himself for his lab hours with Mr. Stark.


In my role as receptionist at Stark Industries, I:

  • Kept track of appointments with top-of-the-line proprietary software
  • Coordinated security checks for high-risk visitors
  • Used my customer service skills to relax The Hulk so that Dr. Banner could make his appointments

Goofy examples, I know, but I hope it shows you the merits of either version. Whichever you choose, remember to keep it consistent throughout your entire profile.

By keeping your education and job history neat and up-to-date, you’ll be able to easily remember when you did what, and employers will be able to see your roles and responsibilities.

This can seem like a throwaway area, but there’s no reason not to fill it out. Just keep an eye on it – others can endorse and influence these skills, and while it can be very flattering for someone to think you’re better at something than you are, that doesn’t actually help you or your potential employer. So make sure your skills are ranked and appear according to your preference. If you’re having trouble figuring out what to include, look at the profiles of others in your industry, and curate your own accordingly.

Recommendations are one of those things that feels very difficult to ask for, but at least in my experience, people are usually willing to write them, especially if you reciprocate. It also doesn’t matter as much what they say in your recommendations (though you do only want to include the positive ones!), but the fact that you have written recommendations from others you’ve worked with is a vote of confidence in and of itself, as your coworkers or others in your network have staked their own reputation on endorsing yours. So get a couple on there! The best come from current or past managers or reports, though colleagues, clients, and others can be great, too. If you are just starting out, professors and fellow club members (really, anyone with whom you’ve worked in a professional setting!) are fine, too. Just update once you’ve got some work experience under your belt.

As with all social media, LinkedIn is as useful as the work you put into it. However, the strength of LinkedIn is networks — it capitalizes on information and connections created through your weak ties. If you’re just starting out, send out invites to your friends, family, and colleagues to form your base relationships. From there, remember to add people you trust when you meet them in the future, through jobs or networking events. Adding people just for the sake of numbers is not particularly helpful. Instead, treat your network like an online directory of people with whom you’d like to keep in touch, and with whom you may want to work someday. Pop on to LinkedIn every so often and drop lines to people with whom you’d especially like to keep in touch, or even just casually like and congratulate others on their status updates to keep your name fresh in their minds. If you see an opportunity someone you know may like, send it to them — even if it doesn’t pan out, people remember favors, and will appreciate the thought (just don’t go overboard).

LinkedIn profiles aren’t easy, and need to be updated and curated every so often (4~6 months), but are a great online landing pad for your professional experience. A little work (and a little proofreading!) can go a long way, so start now, and develop your profile along with your career.

Have a different experience? Absolutely let me know!

The Job Search: Elements of a Good Online Presence, part 1: Where to Be

In the age of ubiquitous social media, the great majority of job seekers (certainly urban millennial job seekers) have, at the very least, some online presence and a passing familiarity with how digital social networks work. This change is continually affecting how the job search is evolving, and conventional wisdom is being thrown out the door in favor of innovation, bold chances, and/or best practices.

What do I mean by all of that? Well, ten years ago, it would have been impossible to find Instagrammers with brand sponsorships, as Instagram itself didn’t exist. Or take Nina Mufleh, who in 2015 successfully created her resume in the style of an AirBnb listing in order to get herself noticed by the company. Her bold choice may not have been appreciated at a more traditional company, but was perfect for the tech-savvy, branding-oriented AirBnb. And though when I was growing up, I was taught never to post things online that I would be ashamed for an employer to see (still not bad advice, in my book), many now are growing up without that advice, and social media accounts, while searchable, may not be the end-all to a job or career (unless something distasteful goes viral…always think before you post publicly!). In fact, in certain artistic careers (especially for writers, artists, designers, actors, and video game folks), having a more personally-oriented Twitter or Instagram feed may create a larger, more invested follower base.

So, in light of all that, I want to talk about what goes into making a good online presence, starting with the where. Which social media networks and other online tools should you be using? How can you maximize the returns of any effort you spend online?

This post is mostly geared toward the “traditional” job seeker; I’ll be covering other tools geared specifically toward creatives in future posts.

For job seekers, these are what I think to be the most useful ones, ranked and explained. Am I missing some? Please let me know!:


LinkedIn: Love it or hate it, find it useful for your industry or no, LinkedIn is the online portal for professional networking and recruitment. You can use it as a hub to keep and update all of your relevant education and career history, keep in contact with your professional network, and search for others based on past education or companies you both share. I like LinkedIn because it lets me connect with people in a setting we all understand to be professional, especially as I keep Facebook just for close friends and family. LinkedIn has features built in that, if you allow it, will alert your network anytime you update your profile, and can show that you’re available to recruitment and hiring managers. Also, many hiring sites will allow you to import a LinkedIn profile, making the job search that much easier (though it may require some reformatting once imported!).


Personal website: A personal website can act as a hub for all your social media, and can function as a combination resume/portfolio. For creatives, a separate portfolio may be more useful (and we’ll get into what goes into a good professional portfolio in coming weeks), but for most people, a personal website should function as a one-stop shop for you. However, personal websites can be difficult to maintain, and do come with a monetary cost (unless you have a free website). It can be a tradeoff, but for certain industries, having a personal website can be a great way for potential employers to get to know you.

Published work: I was initially going to call this category a “blog,” but that’s too narrow. Having your work online, in a portfolio or as part of your LinkedIn profile is great, but what I’m getting at here is having work you’ve done in your field “published” in an official way, even self-published on your own blog, can lend you credibility, and can give potential employers a low-stakes insight into your thought process and values. Blogging takes extended time and effort, and the rewards can take a while to show, so if you aren’t interested in blogging, see if you can guest blog somewhere, or post (hopefully sell!) an article on another site. This goes for other media too — illustration, video, etc. The idea is to have searchable work that leads back to your name.


Twitter: Twitter can be extremely useful as a networking tool, but it comes at the cost of time and effort. I like using Twitter primarily as a tool to keep track of goings on and information about my industries—because Twitter is a short-form platform which is able to quickly disseminate targeted information, it’s easy for people to tweet and retweet events, news articles, and other important information. By building dedicated lists, you can keep a targeted eye on the hashtags and news accounts relative to what you’re looking for. It can also be a way to connect informally with important people within the industry, through engaging with them in discussion. Just remember: keep everything polite and professional, and don’t say anything you wouldn’t say in front of a hiring manager, boss, or colleague. Twitter interactions are just as real as face-to-face, and the reputation you build on Twitter can have a lasting impact on your professional reputation.

Instagram: Instagram, for job searching? Well, even if you aren’t looking to become a professional Instagrammer, Instagram can be used to showcase your visual skills. It’s a great, informal portfolio for artists, fashion and interior designers, creative designers, videographers, and others whose skill can be demonstrated in photo or image. By posting often, and posting things you’ve put care and time into (or even sketches and quick clips!), you can gain the attention of others in your field, or find a fan base for your work that you can use as leverage for getting your next gig.

A word on social media: Social media is as useful as you make it. For some, it will never be useful or enjoyable, and that’s totally fine. It is! Honestly! The best returns on social media come when you post original content frequently on the same channels, and spend time interacting with others on the site. Because of that, find just a few that you like, and stick to those. Or don’t! Social media can be a time sink and can be very emotionally draining, so figure out what level of engagement works for you.

In Conclusion

You only have a limited amount of time, money, and mental energy, so concentrate on LinkedIn to start. The other options can be useful if they interest you, but if not, that’s fine! Take a day to really flesh out your LinkedIn profile as robustly as you can, and if you feel LinkedIn doesn’t offer you enough, then move on to other sites.

Have I forgotten something? Have you built your brand on a different site? Let me know!

The Job Search: Jobs, Jobs Everywhere

The great thing about the internet is that we can search for a new job on a job site with a few clicks of our mouse or taps on our tablets and phones. The downside is that this seeming convenience has actually, in my experience, made jobs much harder to find. Jobs are listed and then never removed; scammers post jobs with ease (and do a better job than many HR departments); jobs are listed without tags and keywords and are thus unsearchable, etc. And though the internet has been a recruitment tool for over a decade, there’s still some hesitation about hiring people who come with no personal recommendations. LinkedIn has made a difference, as employers can see which soft ties (and hard ties, though endorsements and written recommendations) an applicant has in their industry, but in my experience, a personal recommendation is best…if the option is available, and often, it is not.

In this post, I want to introduce you to a number of different avenues to jobs. These are avenues that I’ve used, or have heard of others using successfully. However, I’m just one woman, and my experience here will vary widely to yours. If you have a way to find jobs that I have not covered, please let me know! I’ll update this post.

So, where to start? The following methods have yielded leads for me in the past, though your mileage may vary depending on age, industry, physical location, etc. I will go more in-depth on some of these items, so treat these as jumping-off points for now:

Job aggregate sites

Okay, so I spent my intro to this post maligning these, but they are a great tool to get your search started. Websites like Indeed, Monster, and even Craigslist can give you an idea of what kinds of roles employers are looking to fill in your area (or the location you’re hoping to work in). It doesn’t hurt to apply to these jobs if you see one that catches your eye, but be aware of jobs that seem sketchy or stale, and especially of jobs posted more than 30 days ago. Also, it’s worth looking up all companies on Glassdoor to see a little bit more about their work culture and typical benefits, and to screen for any major red flags. Glassdoor and LinkedIn also have job listings, though as jobs aren’t their primary function, I’ve found them to be less reliable. Again, your mileage may vary.

When you do a search on these sites, many of them will offer to save your search, and send you update emails when new jobs come online. This is a great way to make these sites work for you in the background, and can be set up with just a few clicks. The more specific your search is, the better your leads will be—but try not to make it too specific, or you may not end up with any results, and may miss out on some adjacent opportunities. You may have to play around with the mix, but I encourage you to have at least a few saved searches on these aggregate sites.

Company websites

One strategy to find jobs you’re interested in is to go directly to the company page and look at their Jobs/Careers section. If there are a few companies you’re extremely invested in, follow their main accounts on social media (especially their HR account, if one exists!), and make sure you check back on their jobs page every few weeks to see if there are new positions. That being said, do not harass anyone working at the company. Apply for the jobs you’re interested in and qualified for (or could be qualified for), and if none exist but the company allows you to drop a cold resume, do so (but still write a cover letter!). Then, wait. The old wisdom of calling and following up in-person or on the phone is mostly out. If you have a contact and it has been a few weeks, a polite follow-up email is fine, but do not ask for updates on any current employee’s private social media, and definitely don’t call random people at the company hoping one of them will give you work (yes, this has happened to me!). Too much interest can be just as damaging as too little. Respecting the process outlined by the company will show your prospective employer you can follow and respect their process—critical and basic skills for any potential employee. However, if you do have a personal contact at the company, it’s worth it to politely and succinctly let them know you’ve applied. They may be able to get your resume into the right hands.

Career fair

Career fairs can be useful, awful, or both. I’ve been to booths at fairs that process you like an assembly line, and I’ve been to booths where I’ve had wonderful conversations with the company representatives which, while they didn’t lead to a job, did lead to an industry connection. It’s worth going to fairs that are at least tangential to your ideal career (the more focused the better, of course, but often career fairs can be very general) and speaking with the representatives there. Come up with an elevator pitch for yourself: I’m [YOUR NAME], I’m looking for a career in [INDUSTRY] doing [JOB FUNCTION], preferably in a company that [PREFERRED MISSION STATEMENT/BENEFITS/OTHER SPECIFICS]. Ask about the company—this is your low-stakes chance to see if you and the company (or any specific position) are a good fit. Don’t take up too much time, especially if there’s a line, but do remember that these representatives are paid to be there to talk do you. Don’t be shy in approaching them! After your conversation, drop your resume and business card (which you will absolutely have printed and brought with you, right? Good.) with the representative, and remind them of your interest in their company, and the position you’re looking for. Make sure to get a card from the recruiter, and to follow up on LinkedIn with a nice, quick message: Hi, I’m [YOUR NAME], we spoke at today’s career fair about [SPECIFIC DETAIL]- I’m looking for [ROLE].

Industry Associations

Many industries have professional associations or publications, and they are a great way to get information about what is going on in your industry. You can find information on cutting-edge research and best practices, as well as listings for conferences and other professional events (more on these below). Often, they will also have a section for job listings. Find the important associations and publications in your field, and sign up for memberships, or at least to their e-newsletter. Some will have a fee, but you may be able to make this tax-deductible as part of a job search, and you can think about it as an investment in your future. And read whatever publications you subscribe to! Nothing impresses prospective employers like someone who keeps up-to-date of their own volition!

Placement Agencies

Agencies can be hit or miss, but I’ve found (at least in my experience) that they can be useful when an applicant has specialized skills, such as language ability. If a company is looking for a candidate with Japanese proficiency, they may reach out to one of these agencies, which will have a number of resumes on-hand to send as potential matches. Before you send your information to an agency, make sure you know how they charge (they should charge the hiring company, so this is a way to screen out any who want you to pay to list with them) and which companies they’ve hired for before. And let them know once you’ve found a job, so they’ll take you out of the pool.

Personal referral

Personal referrals come from networking, and networking takes many forms. I’ll break them down below:

Life networking

Your uncle has a job at his workshop. Your best buddy from college has a friend who is looking for a copy editor. These referrals come from your life, from people who you met without any intention of ever getting a job lead from them. These referrals are luck-based, and can stray into nepotism if you aren’t careful, but they can be a source of tips (just don’t blame me if your mom’s friend knows of an animator job that’s perfect for you when your background is in watercolor illustration…).

School networking

Alumni networks can be great—they tend to be stronger/more useful if you attended a school that has a specific focus, and are even more useful for graduate programs. Career centers and alumni relations groups tend to keep lists of industry-specific alums, and many provide that information so others can reach out for informational interviews (a great way of building your network!). You can also look up alumni on LinkedIn, and see if any work in the companies you’re interested in.

Digital networking

LinkedIn and other social media can be great tools for networking, but I find their best use comes from connecting with people you already know, or have met in person. I’ve only very rarely accepted people I haven’t actually met into my LinkedIn network, and most of the times I have, I’ve regretted it, or have seen no benefit. However, LinkedIn can be a great tool for keeping in touch with industry peers or friends and colleagues from schools or past jobs, who may know of opening positions, or of unlisted opportunities. When looking for a job, it’s certainly worth posting on LinkedIn that you’re looking, and what you’re looking for (as long as this isn’t a flag to your current employer that you’re about to jump ship…post with caution). Let your social networks work for you.

Industry networking

People love getting together. People love free beer. People love making connections, because connections mean new projects, new sales, new exchanges of information. Do a search for industry-related events in your area, including happy hours, MeetUps, conferences…even sales pitches disguised as networking events, if that’s somewhere you might be able to learn about your industry and meet others involved within. Again, bring your business cards and a few copies of your resume. Don’t be shy about giving your cards to those you meet, and if someone asks for your resume, give them one, too (I wouldn’t just go handing resumes out).

Also, this is actually not the chance for your elevator pitch. Spend networking events getting to know those there, and do a lot of listening. You can give your elevator pitch if asked why you’re there, but otherwise, use your time to ask a lot of questions. This is your opportunity to get the lay of the land, and people love talking about themselves. If you ask questions and listen intently to their answers (and ask follow-up questions!), people will remember you as being invested and inquisitive. Again, follow up the next day with any cards you get, in a similar format to the career fair: Hi, I’m [YOUR NAME], we met at [INDUSTRY EVENT] and had a great talk about [SPECIFIC DETAIL]. After that, you can follow up with a request for an informational interview, a note that you’d like to keep in touch, or an ask to let you know if they hear of any roles that might be right for you, depending on if you feel comfortable asking your new acquaintance about this. I would hesitate on the last one, only because you don’t want this new link in your network to feel used for a job search.


Recruiters often reach out on LinkedIn (remember to set your profile to “actively looking” if you’re job hunting!), and may or may not have qualified leads. Remember to do your due diligence on the recruiter, and ask them plenty of questions to determine if the leads they have are real so you aren’t wasting your time. Some industries rely on recruiters; in others, they’re totally useless/don’t have a place in the job search. Try to figure out early on if recruiters will help you in your industry. And it may not hurt to reach out to some yourself (politely!) if your skill set seems to match jobs they say they’re looking for—but only reach out if they say they are interested in that kind of contact.

I hope this gives you a number of jumping-off points on your job search. I’d like to dive a bit deeper into a few of these, and we’ll be covering more elements of the job search in this series, like creating and curating your personal brand. Until then, give these a try, and see what you come across! And let me know if I’ve left something off!

The Job Search: Where to Start?

Now that you’ve done some introspective, critical thinking about what your ideal future career might look like, it’s probably time for some of you to start looking for your next job (or even your first job!), which will lead you ever closer to the ideal. For those of you who enjoy the job you’re in but who want to pivot or advance, don’t worry! We’ll circle back to you in a bit.

However, dream jobs, or even great jobs, aren’t necessarily lying around on Craigslist (though it’s always worth a look!). It’s going to take a bit of searching (well, it wouldn’t be a job “search” if it didn’t, right?), and, like any explorer, you’ll need to arm yourself with the right tools.

With The Job Search series, I want to examine the job search in-depth, from structuring your search and creating and curating your online presence, all the way through your interview and hiring process to the signing of your contract. By examining both how the job search is “supposed” to look, and ways it works in real life, I hope to offer you tips and strategies to be able to capitalize on your effort and time. I’ll start by focusing on searching for part-time or full-time employment with a traditional employer, but I’ll also cover freelancing and contract work, too.

For now, take a moment to look back at the lists you’ve made throughout the last series. You’ve just spent a lot of time thinking about what’s most important to you in terms of what you enjoy doing, how you like to spend your time, and what you want your future to look like, and now it’s time to bring it all together. Pick out the top 5-10 most critical items for you across the list, and make a master list. This will be your map to check against when evaluating jobs, from looking at the job description, asking questions in the interview, evaluating company culture (in-person if possible, on Glassdoor or through other reviews (preferably peers or company staff/alumni) if not), and negotiating your contract.

Again, I’m going to stress that nothing will be perfect — not even a “dream” job. And job searching is where privilege will become extremely, and unfortunately, relevant. Those of you who can afford to live in or move to a big city where your industry is located will have a much easier time of it than those of you who live in smaller towns/have limited resources for relocation. However! By thinking of each job as a puzzle-piece of a larger career, and by creating different mixes of your master list of wants, you’ll be able to still develop skills and resources that will get you closer to your ideal.

There’s a lot of ground to cover, so next week, I’ll be starting with the basics: Structuring Your Search. Until then!

Finding Your Dream: Guest Post by Morgan Beem, Comic Creator

Full disclosure: Morgan is a good friend and someone I’ve known for years, which is why I asked if she’d contribute on the Finding Your Dream series. Ever since I met her on the second day(!!) of high school, she’s wanted to be a comic artist and creator, and through better and worse she’s made it happen. I’ll let her talk about her experience in her own words!

All bolding is added by me.

Find and follow Morgan here:

Hello Team,

My name is Morgan and I am an American comic book artist. I’m here to share with you what the path to my dream job has looked like up until now, and what all I did for, before, and around to get where I am.

I am one of those people who has always known what I wanted to do for a living. I won’t drone on about this, but since I was young, I was obsessed with comics. Reading them, making them, entering contests (who remember’s Tokyo Pop’s Rising Stars of Manga??)—I was pretty focused.

You would think being the type of person who has always had a clear idea of their dream job would also mean my path there was pretty clear, but I did my share of other things before ending up where I am now. At eighteen, I was very naive and not too confident in my ability to make big and decisive life choices. I (and my parents) saw art school as too much of a closed/niche opportunity. What if I changed my mind? What if it limited my opportunities too greatly? So I ended up going to a liberal-arts college instead.

Now, full disclosure, I grew up with a lot of privileges, and attending college was something that was always expected of me. To be honest, part of the problem was at eighteen, I didn’t really understand deep down that one goes to college in order to get a job (whoops). We have been put on the school conveyor belt for so long—finish one level, move onto the next, that I didn’t really question much about moving onto this next level. I thought more about the things I was interested in learning, and less how those things could be a building block to a future career (if you are starting to look at colleges for the first time now, don’t be like me, kids). That being said, I did love my time at undergrad. The education I received (and people I met) helped me grow up a lot, and shaped me into the adult I am today.

Another thing that I was doing throughout high school and college that helped shape who I am was working various day jobs. The list of jobs I have had over my life ranges anywhere from cleaning houses to selling booze and hotdogs out of a golf cart. I am mentioning this now because, at the time, these job were just to earn a paycheck, and I considered them having no bearing on what I actually wanted to do. Much like my college degree (I was an Cultural Anthropology major with a focus in Asia), I thought none of these things had anything to do with being a comic artist, but that turned out not to be true. You need a lot of life experiences to be a good storyteller, and all these things have come to together to give me a unique angle that others don’t have. I am telling you this because if you feel like you have chosen poorly up until this point, or wasted time and are “starting late,” don’t. I promise in one way or another the things you have done up until now have nourished the parts of you that will succeed in what you want to do in the future.

I graduated college still pretty naive, and simply started working full time at the part-time job I was working while in my last year of college, as a commissioned-based, high-end watch saleswoman. This job, in hindsight, was a blessing in disguise. It was by far the WORST job I have ever had. It was truly miserable—a toxic work environment; angry, angry high-powered customers; and a poorly-managed…well, everything. This job was so stressful that I would literally cry every morning while talking myself into going to work, and sometimes (a lot of the time) the stress of going made me physically ill. The blessing part of this (other than just being lucky enough to have a job in San Francisco during the recession, no matter how bad), is I KNEW I had to do something else—and soon.

I knew that deep down in my heart, I still wanted to make comics as a profession, and that there was really nothing else I could picture myself doing everyday that would make me happy. I also knew that I had no idea how to even start making this dream a reality. And so it was around this time I began to look into comic (or sequential art, as it were) graduate programs. This search introduced me to the Sequential Art Department at The Savannah College of Art and Design

Attending grad school was not an easy choice. SCAD is not a cheap school by any means, and I was terrified by how much debt going there would incur—debt I would probably never pay off—and how much of a gamble it was to make it in comics even with proper training. But I knew that if I didn’t do this, I would never work in comics (now I want to add here this is something I knew about myself, lots of people make it in comics without school), and I knew if I never tried, that “what if” would haunt me.

I can say now, some five years out of grad school, that attending SCAD was the best thing I ever did. It was also the hardest (and most expensive) thing I ever did. The program at this school pushed us incredibly hard, which in turn prepared us for an equally demanding industry. I was very lucky that my peer-class at SCAD was also exceptional. Everyone in my group wanted to work hard, and push themselves to make the best books they could, and they are still some of my closest friends to this day.

The program at SCAD not only taught me the craft of making comics, but it also taught me how to network and get ahead in the business. Working in comics, for better or worse, is ALL about networking, and most of that networking happens at comic conventions. To break into one of the traditional publishing houses (DC, Marvel, Image, etc.) you really have to hit the floor running. Print samples of your work to leave with editors, stay out late buying drinks and getting to know people. It doesn’t have to be forced and aggressive, but you do have to get yourself out there and start meeting people to get ahead in comics. You have to hustle. SCAD has a great event called Editor’s Day, where once a year they invite editors from different publishing houses to sit down and give portfolio reviews. This was a really golden opportunity to get ahead in networking, and one that has given me lasting relationships with people in my industry to this day.

People often, especially in creative careers, seem to have an expectation of starting in their field right after they graduate. If you have graduated and are still working a retail or whatever kind of job, DON’T WORRY—that is the norm. I was told on average it takes about five years of consistently working professionally towards your goal to break in. I would say five years is about true to my experience, and I’ve had some luckier breaks than most.

After grad school I started out taking any small freelance gig I could: pitches, anthologies, commissions, etc. I worked for cheap, but never for free, unless working for free greatly advanced me in some other way. I also worked part time at an art supply store in Denver. Again, this day job turned out to be greatly beneficial to my growth as an artist and storyteller, due mainly to my co-workers—other very talented artists working to break into their own fields. Being artists, but not in comics, they were able to teach me about and expose me to a vast number of things I had missed artistically by being so focused in my field, and I am much better today, for it.

If the job you want to do is a freelance or creative job, having to work a day job does not mean you have failed, and doesn’t mean that you are not still a person working in the creative field. For the majority of us, it is just one step in the process, do not let it discourage you. But do not get trapped either. You must keep going—you must keep creating. This is where is can be really hard; I know it was for me. You come home from your day job, you are tired and fussy and just want to read something or sleep, or see some friends over a drink, but you have to prioritize your real career. It’s hard, my social life definitely suffered, but I made sure that my nights were dedicated to life-stuff (paying bills, laundry, etc) so that on my days off I could sit in a cafe from 8 am-8 pm and work all day on making comics (I would work at a cafe because there it was just me and my work, and it helped me not get distracted). I am finding more and more that the people who eventually make it in are the ones who just didn’t give up. Who went home and continually and consistently make things and put them out there, day after day.

I love my job, and I feel very lucky to be able to do the work I do, but it can be very tough. It is a lot of long hours and not a huge amount of pay. And being freelance, sometimes the work dries up all together, and you have to go back to a whatever-kind of day job. But to me, I have loved the process, and the times when it is good are so good, they make all the hard times worth it.

Hey, Lauren again.

First — thank you, Morgan!!!! I appreciate you sharing your wealth of experience, and I hope my readers do, too!

I wanted to quickly expand on a few things Morgan wrote:


Morgan realized two things about school: that for her, college may not have been necessary, and that art school absolutely was. I think many people get pulled along on a life track that’s expected of them, without taking the time to think about the practical returns of the choices they’re being told to make. Of course, as a teenager it might be hard to be so self-aware, especially enough to argue against a set path that’s been laid out for you by people you trust, who have more power, wealth, and life experience than you. Honestly, this is a dynamic that will be true all your life, so it’s important early on to start making informed, conscious decisions about how you spend your time and money, especially in pursuit of professional qualifications. Research on how schools, certificate programs, internships, and work-study programs benefit their graduates, as well as deep introspection on how school and other programs work for you personally, will help you get the most out of any one you decide to attend (and will help you avoid things not worth your time, no matter how well they work for others!).

Non-Career Related Work and Other Experiences:

Morgan has worked a ton of jobs. Morgan’s made jobs work for her needs in the moment. She’s part-timed a lot of places. She’s worked terrible jobs much longer than any reasonable person might. But the important thing is that she took something from these experiences. She learned lessons from them, and applied those lessons to her next job, and to her real career.

I can’t tell you how much I love that she used the phrase “real career.” We live in a world here in 2018 in the U.S. where “side-hustle” has become a common term, where the expectation is that there may be jobs you need in order to pay rent, but they also might be to support your passion project or personal calling, on which you devote your intentional time and energy. Your real career is what I’m trying to help you zero in on with this blog, and what I want you to keep in mind as you go through your life. Every experience, as Morgan demonstrates, can get you closer to that real career, and hopefully get that real career to pay your rent, too.

Networking and Peer-Group Friends:

Here is an area in which Morgan has truly excelled. I’ll get more into it in future blog posts, but the importance of networking cannot be understated. Morgan started networking with her peers in grad school, which is an especially valuable group, as they’ll be alongside her at similar levels as they all continue to improve and advance within the comics industry. They can support each other creatively and provide congratulations and consolation; but they also refer each other to jobs and potential employers, champion each other’s works, and help each other grow when the professors and mentors are no longer around. These peers help broaden her network as they broaden their own, and she returns the favor by introducing them to her own connections.

Not only did Morgan network with her comics friends, though — she also made friends and connections in different parts of the fine arts world through her job at the art store. These connections are also awesome: They’re people with whom she’ll never be in direct competition, and have exposed her to art forms that are not inherently a part of what she does, but are adjacent and related. These connections may find out about neat opportunities open to fine artists that comics artists might not know about, and they can be a sounding board when her peers and chosen industry drive her crazy (not a small thing!).

The point I’m trying to make is that peer groups and networking are important not only through your own industry, but through adjacent pursuits, and even in life as well. You never know when someone’s skills or expertise will be handy, and having more good, reliable people in your life can never hurt (we’ll go into making and keeping the right connections later, too).

Hard, Dedicated Work in Pursuit of a Goal:

I hope its clear that Morgan is a hard, hard worker. She made the choice to go back to school, and after, to put in the work on her real career around the time she spends on immediate paying work and the time and emotional labor she puts into her non-work life and relationships.

But her callout to the time it takes to succeed is critical. I’ll be covering how time relates to success as well in the future, but for now, it’s enough to know and realize that, as much as the American Dream would have us believe overnight success through one’s own efforts is achievable…it’s actually a rare fluke, and true, lasting success takes time and repeated, intentional, peer- and connection-supported effort. If you’re looking for a magic wand, this is not the blog for you (but best of luck!).

Knowing Yourself:

Finally, why I asked Morgan to contribute in the first place: Morgan knows who she is. She’s known forever that she’s wanted to be a comic artist, but for her, knowing was the easy part. Getting from having a dream to achieving the dream was convoluted and took many years of trying and failing, but she kept her goal in sight the whole time, and knew enough about herself to make decisions that would get her ever closer to that final goal. She evaluated each step (and got better at evaluating her pivots and next steps!) and figured out whether or not it would work for her and how she operates.

This is the hardest thing to know, but the most critical. Knowing how you work, what makes you happiest, what you absolutely cannot tolerate — these things will help you get closer to your best career.

Morgan — thank you so much for your candid contribution! Again, follow Morgan and her amazing work at the following places:

Finding Your Dream: The End Game

We’ve already covered many ways to go about finding that dream job, but there’s one more way to go about narrowing down the endless possibilities:

Decide where you’d like to end up.

Of course, you won’t be able to choose a future and have it automatically happen—life, unfortunately, has simply too many variables for that. But by identifying the kind of “retirement” you’d like, you’ll be able to consciously make key decisions that will help get you there.

I use the term “retirement” very loosely, because a traditional retirement may not be possible or even desirable. Perhaps you’re someone who would rather split work and vacation time much more evenly throughout your life, or you’d prefer to work your entire life to varying degrees. Perhaps you’d like to stop working at 30 and travel the rest of your days. Fantastic! It’s not up to me to make that happen for you (though I would if I could!), but by establishing your long-term lifestyle goals now, you can start identifying the things you’ll need to achieve them.

For instance, how much money will you need to retire in the way you want? Start developing a budget by calculating living expenses, travel expenses, health expenses, etc, while adjusting for future inflation. If it were me, I’d multiply your numbers by 130% to give yourself a buffer in case of medical emergency, natural disaster, or any of the other myriad ways life can go haywire. AARP and NerdWallet (among many, many other sites) offer retirement calculators you can use to estimate what you’ll need, but they’re imperfect tools and require some tinkering with.

Another consideration is the where: Do you envision yourself in a mountain cabin or NYC? Do you want a yacht in the harbor or a yacht as a primary residence? How important is home/property ownership?

Mostly what I want you to think about is the bigger picture: Do you want to be the VP with the corner office? Owner of a beloved local antique shop? Head of a video game studio, or just lead developer? Do you want to keep working at some point, or will you stop entirely?

Once you’ve identified answers to some of those questions, you can answer (to the best of your ability) the following: Are there ways to continue to make money doing what I do now? Do I have skills that would be applicable to part-time or freelance work? Do I have the skills I need to have the job I want through retirement? Are there other ways of making money that would support me in retirement without me working?

I know these things can feel incredibly foreign to someone early in a career, but often an end goal will help you focus. Even if your goal is as amorphous as “spend my life near an ocean,” it will still help you choose between an offer in San Diego and one in Chicago. Or it’ll start you on the path to looking at a career in marine biology, or what licenses it takes to become a sea kayaking tour guide. These are (as usual) random examples, but I want you to use the lens of the future on the lists you’ve been developing, and further refine them into something that gives you a baseline of where to start.

Next week, my dear friend and absolute treasure Morgan Beem shares her experiences on pursuing her lifelong dream (spoiler: successfully) of becoming an American comic book artist!